I create this music live. No multi-tracking, no playback of pre-recorded material, no sampling. The raw signal of voice and Jew’s Harp feeds into a portable bank of automated processors. Here, various programmatic, architectonic sound spaces frame rhythmic zones within which certain acoustic potentialities reside. These sonic holograms manifest my musical explorations as shape-shifted sound. Seminal acoustics are gestated into new aural forms to birth multi- dimensional soundscapes of interpenetrating pulses and harmonics.
Would you want a conversation with this man?
Something else he says is interesting. I have no idea whether it's true, but I sincerely hope so.
The Jew’s Harp’s power as a courtship instrument from Bavaria to the Philippines alludes to a potent psychosexual association.
I wish I'd known that ten years ago.